Any day now
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Date: 16 February, 2004
This 13 track CD showcases Kirsten Winter's vocals backed by Chris Peirce's acoustic guitar, with no other musicians. Occasionally it is vocals only ("Come Rain or Come Shine"), or solo guitar ("Gozinta Soup"), but for the most part it's a beautifully pure duo musical setting with the obvious advantages and potential pitfalls for performer and listener alike.
For those who perenially complain that they can't
hear the words, there's no problem here in this pristine and well-recorded
environment. You could hear a fly landing on the music stand.
And variety they have, particularly in the choice of material, often the cause of sleepless nights for many a singer. When they get it right, as with Mark Knopfler's "Why Worry?" or the brilliant version of Isaac Guillory's "Slow Down", or the reggae version of Dylan's "I Shall be Released", or indeed much of the album, it's as if, reinforced instinctively by the harmony of performer and material, they just know, exactly, what to do.
That would then allow the guitar more room to respond rather than cope, albeit manfully. Peirce has lots of golden moments; beautiful arpeggios and a strong solo on "You Must Believe in Spring", a confident rhythmic stride on Bill Withers' "Ain't No Sunshine", great flexibility with phrasing and rhythm in the solo of "Cry Me A River", and his solo "Gozinta Soup" would no doubt bring the house down in a club.
Such vocabulary will require your partner to respond, and Winter likewise has plenty of resources at her command. I particularly liked the slightly sinister intro to "All or Nothing At All", the beautiful crescendo opening to "Cry Me A River", and her finely wrought rendition of "Slow Down", which must surely be the high spot of this excellent CD.
Less successful perhaps are the half-sung, half-whispered vocals on "Walking Down Madison", and some rather unconvincing scat on "Take the A Train", but these are minor quibbles on what is generally a very strong and musical outing.
These affairs are all about detail, a reduction
to the barest essentials a nakedness, if you like, coupled with
the perfect song. On one level, Kirsten Winter and Chris Peirce
function admirably as a highly talented pub duo, and on another
level, they are one step away from Peggy Lee and "Fever."
It wouldn't surprise me at all to see them on a major label any